Programme 8 (2010-12)
With JOHN SMITH and IAIN SINCLAIR live in conversation

Flag Mountain (2010, 8 mins. HD video)
A view across the border in Nicosia, the divided capital of Cyprus. The camera looks over the rooftops of the Greek Cypriot south to the mountains of the Turkish Republic in the north, where a display of nationalism is enhanced by filmic means. Moving between macro and micro perspectives, Flag Mountain sets dramatic spectacle against everyday life as the inhabitants of both sides of the city go about their daily business.

Demo Tape
(2010, 5 mins. SD video)
Whilst staying in a very expensive hotel in Geneva, a businessman expresses his outrage when the TV news reports a demonstration in London against student fees.

unusual Red cardigan
(2011, 12 mins. SD video)
The filmmaker's discovery of an overpriced VHS tape of his work on eBay triggers obsessive speculation about the seller's identity.

The Man Phoning Mum
(2011, 12 mins, HD video)
Revisiting the original locations of The Girl Chewing Gum after three and a half decades, The Man Phoning Mum retraces its camera movements and superimposes new material upon the old. Black and white passers by from 1976 meet their colourful present day counterparts in the well-trodden street, oblivious to each other’s existence.
"… So, thirty-five years later, in a cultural moment now characterised by reflex nostalgia, you return to the same street corner – and the same field, or at least that’s the aim – and film again and layer the new film onto the old, the girl chewing gum and her momentary compatriots flickering through crisp video like monochrome celluloid ghosts, past and present interlaid. The fact that you’re using a different recording medium now is far from all that’s changed. The archetypal figure, here, signposted by the title The Man Phoning Mum, is toting a compact technology inconceivable in the year of Punk, a mobile phone.”
    - Martin Herbert

Soft Work
(2012, 37 mins. HD video)
Waiting by the sea with his camera ready for action, the artist complains about the weather and attempts to describe his intentions and working methods. Soft Work is a film about the making of a film, where the viewer can only imagine what that film might be. It was made spontaneously during the production of Horizon (Five Pounds a Belgian), a video installation commissioned by Turner Contemporary, Margate

TRT 74 mins
Mark





In celebration of John Smith’s 50 years of filmmaking, purge.xxx presents the most extensive survey of his work to date: screening 50 films by Smith, organised into 10 weekly programmes, every Thursday from October to December at 8pm, at Close-Up Film Centre and Institute of Contemporary Arts (ICA), London.

Smith’s INTROSPECTIVE launches with a special, one-off music-focussed programme at the ICA (Saturday 1 October at 6:30pm) marking the vinyl release of BLIGHT, the soundtrack from Smith’s film with music by Jocelyn Pook. Smith and Pook will be present and in conversation, with rarely seen films including commissions for Charles Hayward and Echo & the Bunnymen screening on the night.

The weekly programmes are arranged chronologically, combining rarely screened works with well-known favourites.

For tickets please book events individually*, using the links listed along with the events.




JOHN SMITH: INTROSPECTIVE (1972–2022) is organised by Stanley Schtinter. For more information and to book tickets for events visit closeupfilmcentre.com and ica.art. For more information and to buy the Blight soundtrack visit purge.xxx. For Smith’s work: johnsmithfilms.com. To order a copy of the printed programme, *enquire about season passes, or for anything else: info (at) purge (dot) xxx




Mark